Photo
Fritillaria meleagris, left, a perennial, in bloom at the Homestead, the property that belonged to the family of Emily Dickinson, right. Credit Michael Medeiros/Emily Dickinson Museum; Amherst College Archives and Special Collections

Some keep the Sabbath going to Church –
I keep it, staying at Home –
With a Bobolink for a Chorister –
And an Orchard, for a Dome
Emily Dickinson


That orchard was real: a medley of apple, pear, plum and cherry trees tended by the Dickinson family during their lifetimes. Over the decades, subsequent owners of the Dickinson house, known as the Homestead, removed the orchard, replaced extensive flower and vegetable gardens with lawn, and even installed a tennis court; and a devastating hurricane in 1938 damaged the grounds.


This spring, however, the Emily Dickinson Museum has brought the poet’s beloved orchard back to life, planting a small grove of heirloom apples and pears grown by the Dickinsons — Baldwins, Westfield Seek-No-Furthers, Winter Nelis — on a sunny corner of the property near Triangle Street in Amherst, Mass.


The resurrected orchard is the latest development in a longstanding effort to return the Dickinson estate to its 19th-century splendor. Excavations of the grounds surrounding the house have been conducted for several years and will resume this summer.

Last summer, as the purple-tipped spears of irises unsheathed themselves and nasturtiums flaunted trumpets of fire, a team of archaeologists excavated another one of Dickinson’s gardens near the southeastern corner of the house. They used neon pink string to mark out squares and rectangles the size of coffee tables. Then, shovels and trowels in hand, they began to remove layers of grass and dirt within the outlined spaces.

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The Poet’s Own Collection


CreditMS Am 1118.11. Houghton Library, Harvard University

Over the past two years, the team has uncovered and analyzed the foundation of what was once a small conservatory. As the researchers dug, they encountered a narrow trench that had been filled with large flat, fieldstones, said the team leader, Kerry Lynch of Archaeological Services at the University of Massachusetts, Amherst. Beside the trench were a few patches of rubble and fragments of granite. The granite crumbs matched larger slabs stored in a nearby garage, the purpose of which had long been a mystery: It turns out the stored granite once formed a handsome pedestal that kept the conservatory level with the main house. Granite was also likely to have been used to make a series of steps leading to the lawn and an adjacent patio for airing plants in warm weather.


Records show that Edward Dickinson built the greenhouse in 1855 for his daughters Emily and Lavinia. Emily transformed the long-windowed room into a year-round garden where ferns unfurled their feathers, the perfumes of gardenias and jasmine sweetened the air, and fuchsia, carnations and “inland buttercups” bloomed alongside “heliotropes by the aprons full.”

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Later homeowners tore it down in 1916 — 30 years after the poet died. (Sunday will mark the 130th anniversary of her death.) Now, the Emily Dickinson Museum, which consists primarily of the Homestead and the Evergreens, the neighboring home of Emily’s brother and sister-in-law, is preparing to restore the conservatory, plants and all. If all goes as planned, the museum will finish rebuilding the greenhouse, using as many of the original materials as possible, by the end of the year.

   
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