2018 in Review
The Best New Yorker Photography of the Year
From breaking-news photographs to portraits composed for magazine features, here are some of our favorite pictures of 2018.
The Best New Yorker Photography of 2018
From breaking-news photographs to portraits composed for magazine features, here are some of our favorite pictures of the year.
December 17, 2018
The Hallucinatory Reclamations of Lyle Ashton Harris’s Masked Self-Portraits
In “Flash of the Spirit,” Harris’s big color images construct an ongoing, oneiric memoir about African diasporic life.
December 12, 2018
What a Japanese-American Artist Inherited from the Atomic Bomb
Michael Koerner’s photographs ask the questions of those one step removed from paradigm-altering historical atrocities: What shall we remember? What has been warped? What and who has, and will, slip from our grasp?
December 9, 2018
A Photographer’s Loving Ode to Small-Town Texas
What interests Keith Carter more than the stories Texas tells about itself are the everyday figures—idle kids, blue-collar workers, animals both domesticated and less so—that contribute to the state’s mythology.
December 5, 2018
The Photographer Who Captured How Whiteness Works in the American South
Rosalind Fox Solomon has a distinctly humanistic understanding of the paradoxes of the South, where the secessionist flag waves but blacks and whites are more integrated socially than in the North.
December 1, 2018
A Portrait of Love and Struggle in Post-Industrial, Small-City America
Brenda Ann Kenneally’s sprawling chronicle of life in Troy, New York, is a tribute to her subjects and an indictment of our times.
November 16, 2018
What Vivian Maier Saw in Color
The mysterious photographer’s vivid work in color gets its turn in the limelight.
November 8, 2018
The People Who’ve Turned Their Homes Into Pop-Up Canvassing Stations for Beto O’Rourke
For the final month of the campaign, the Senate candidate’s field organization has channelled its get-out-the-vote efforts into more than seven hundred pop-up campaign offices.
November 5, 2018
How Hip-Hop Learned to Pose for the Camera
The new photography book “Contact High” provides a fascinating prehistory of our present, a glimpse into a time when nobody quite knew where hip-hop could go.
November 1, 2018
What Ara Güler, “The Eye of Istanbul,” Saw in His Homeland
Güler, who died this month, at the age of ninety, created images that interpreted Turkey for a Western audience without ever exploiting its people.
October 27, 2018
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