The boy band hails from Korea and achieves continued chart , opens subtitles settings dialog.
It’s early on a Monday night in September at a lavish top-floor suite of the Ritz-Carlton in Los Angeles, and Jimin, one-seventh of BTS, the most popular boy band in the world, is napping upright in front of an illuminated dressing room mirror.
You can’t blame him for being exhausted. Exactly 24 hours earlier, Jimin, 22; Jin, 25; Suga, 25; J-Hope, 24; RM, 24; V, 22; and Jung Kook, 21, were warming up backstage at L.A.’s Staples Center, prepping to perform their fourth and final show of a sold-out stretch at the 20,000-seat arena. Each night is a marathon of sharp dance choreography, music-video interludes and indoor pyrotechnics—all backgrounded, of course, by the roars of screaming fans. “It’s a real honor,” says J-Hope, via a translator. “We’re proud that everything we do is giving off light.”
Like The Beatles and one Direction before them, BTS serves up a mania-inducing mix of heartthrob good looks and ear-worm choruses, alongside dance moves in the vein of New Kids on the Block and *NSYNC. But the band—whose name stands for Bangtan Sonyeondan in Korean and Beyond the Scene in English—is also breaking new ground. Not only is BTS the first Korean act to sell out a U.S. stadium (to say nothing of the records they’ve set across Asia), but they’ve done so without catering to Western audiences. only one of their members, RM, speaks fluent English, and most of their songs are in Korean—even more proof that music “doesn’t have to be English to be a global phenomenon,” says Steve Aoki, a U.S. DJ who has collaborated with BTS. The group is also preternaturally adept at leveraging social media, both to promote their music and connect with their fans.
But for now, at least, they may need sleep. “I’m still trying to get over my jet lag,” deadpans Suga, one of the group’s three rappers.
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Since its genesis in the ‘90s, Korean pop—or K-pop—has become synonymous with what studios call “idols”: a cadre of young, polished, perfect-seeming pop stars whose images are often rigorously controlled. (They’re often discouraged from discussing their dating lives, so as to seem available to fans.) But even as K-pop matured to a nearly $5 billion industry with fans around the world, its biggest stars—including Rain, Girls’ Generation and Big Bang—largely failed to gain traction in Western markets. The outlier was Psy, a South Korean rapper whose “Gangnam Style” became a viral hit in 2012, though his comic, outlandish persona was an unlikely (and some critics argue, problematic) herald for the genre.
When BTS arrived in 2013, it was clear they would play by new rules. They were formed by Bang Si-hyuk, a K-pop renegade who left a major label to start his own enterprise. He chose young stars that appeared to have an edge, beginning with RM, who was initially a part of Korea’s underground rap scene. And although BTS has idol elements—the slick aesthetics, the sharp choreography, the fun-loving singles—they also embrace their flaws. Their first release, “No More Dream,” took on the ways Korean kids feel stymied by societal expectations; RM recorded a song with Wale that alludes to the importance of activism; Suga released a mixtape addressing his depression. “We started to tell the stories that people wanted to hear and were ready to hear, stories that other people could not or would not tell,” Suga says. “We said what other people were feeling—like pain, anxieties and worries.” They convey these messages in their music videos, loaded with metaphors and cultural references; in their social media updates; and in the lyrics of their music, which fans translate and analyze on message boards, group chats and podcasts. “That was our goal, to create this empathy that people can relate to,” Suga continues.
It helps, too, that their sound is broadly appealing, fusing hip-hop with EDM and pop production. Recent collaborators include Desiigner and Nicki Minaj, who added a verse to their latest single “Idol,” whose lyrics wink at their place in the K-pop firmament. “You can call me artist, you can call me idol,” they sing. “No matter what you call me, I don’t care… you can’t stop me lovin’ myself.” RM says that mantra—love yourself—is core to BTS’ identity; it’s even incorporated into their most recent album titles. “Life has many unpredictable issues, problems, dilemmas,” says RM. “But I think the most important thing to live well is to be yourself. We’re still trying to be us.”
This combination of traits has resonated with fans, especially on social media, where BTS has amassed millions of devoted followers. They call themselves ARMY, which is both an acronym for Adorable Representative M.C. for Youth and a nod to their organized power. In 2017, BTS fans made headlines for lifting the group to the top of Billboard’s Social Artist chart—which incorporates streams, social-media mentions and more—and besting the likes of Justin Bieber and Selena Gomez. Since then, the ARMY has catapulted both of BTS’s latest albums, Love Yourself: Answer and Love Yourself: Tear, to the top of album charts in the U.S., South Korea and Japan. “Even if there is a language barrier, once the music starts, people react pretty much the same wherever we go,” says Suga. “It feels like the music really brings us together.” Adds Jimin: “We give energy to our audience members and listeners, but we also draw energy from them.”
***
Back at the Ritz, a makeup artist wakes Jimin from his nap. Nearby, V sings a bar of music as his bleach-blond hair gets blown out. Jung Kook stretches his neck as a makeup artist applies concealer. RM chats with a manager. Suga slips into loafers. Jin, who goes by the fan-given moniker of “Worldwide Handsome,” lets a wardrobe assistant tie his necktie. J-Hope’s laughter filters through the door.
It’s a rare moment of downtime for the boys. Over the coming weeks, they will perform another 11 sold-out shows, appear on Good Morning America and even help launch a youth empowerment initiative at the U.N. General Assembly in New York City, at which RM spoke about self-acceptance: “No matter who you are or where you’re from, your skin color, your gender identity, speak yourself.”
A schedule like this might seem daunting. But for BTS—and their ARMY—it’s an encouraging sign of what’s to come. “I’m just throwing it out there,” Suga says, “but maybe we could perform at the Super Bowl someday.”
“차세대 리더”…방탄소년단, 美 타임지 표지 장식한다
타임은 10일(현지 시각) 오는 22일 발간되는 최신호 표지에 방탄소년단 사진이 실린다고 예고했다. 타임이 공개한 방탄소년단 표지에는 하늘색을 배경으로 정장을 입은 멤버 7명(RM·슈가·진·제이홉·지민·뷔·정국)이 둥그렇게 모여 아래를 바라보고 있는 모습이 담겼다. 표지 가운데에는 방탄소년단을 뜻하는 ‘BTS’가 하얀색으로 크게 적혀있다. 표지 왼쪽 위에는 ‘차세대 리더(Next Generation Leaders)’라는 문구가 쓰여 있다.
타임은 방탄소년단을 가리켜 "한국에서 온 보이밴드가 서구 음악 차트에서 계속 이목을 끌고 있다"라고 하면서 "세계에서 가장 인기 있는 보이밴드"라고 소개했다.
타임은 방탄소년단을 전설적인 록그룹 ‘비틀스’와 영국 보이밴드 ‘원 디렉션’에 빗댔다. 매체는 "방탄소년단은 비틀스, 원 디렉션과 같은 심장이 떨릴 듯한 외모와 귓가에 맴도는 노래, 뉴키즈온더블록, 엔싱크와 같은 춤이 섞이면서 마니아를 끌어모았다"고 했다. 또 "방탄소년단은 새로운 영역을 개척하고 있다"며 "서구 관객의 구미를 맞추려 하지 않고도 미국 스타디움 공연을 매진시킨 첫 번째 한국 가수"라고 했다.
타임은 방탄소년단이 한국 아이돌 그룹 중 서구 시장에서 큰 인기를 끈 첫 사례로 꼽았다. 타임은 "1990년대부터 시작된 케이팝은 50억달러(약 5조7000억원) 규모의 산업으로 성장했지만 한국의 ‘아이돌 그룹’ 대표 스타들은 서구 시장에서는 인기를 끌지 못했다. 그러나 BTS는 새로운 규칙을 만들어내고 있다"고 했다.
타임은 한국어로 된 방탄소년단의 노래가 세계시장을 강타하고 있다고 했다. 타임은 미국 유명 DJ이자 방탄소년단과 협업한 스티브 아오키의 말을 빌려 "세계적인 현상이 되기 위해 꼭 영어로 노래를 부를 필요는 없다는 걸 보여준 것"이라고 전했다.
방탄소년단 노래에 들어간 메시지도 집중적으로 다뤘다. 자신들의 결점을 오히려 음악의 소재로 담아내거나 타인과 공감할 수 있는 솔직한 감정을 노래해 인기를 얻었다는 것이다. 소셜미디어(SNS)을 활용해 자신의 노래를 알리고 팬들과 활발히 소통한다는 점도 방탄소년단의 인기 요소로 짚었다.
리더인 RM(본명 김남준·24)은 타임지와의 인터뷰에서 "인생은 예상할 수 없는 많은 문제와 딜레마들로 가득 차 있다. 가장 중요한 건 ‘너 자신 스스로 잘 살아가는 것’이라고 생각한다. 우리도 계속 노력하고 있다"고 했다.
슈가(본명 민윤기·25)는 "언어 장벽이 있지만 음악에 관한 팬의 반응은 같다. 음악은 우리를 하나로 엮어준다"며 "언젠간 우리도 슈퍼볼(미국 프로미식축구 리그 우승팀끼리 겨루는 챔피언 결정전) 무대에 설 날이 오리라고 기대한다"고 했다. 지민은 "우리가 관객에게 에너지를 주지만 우리도 에너지를 받고 있다"고 했다.
출처 : http://news.chosun.com/site/data/html_dir/2018/10/11/2018101101568.html