“Never, never waste a minute on regret. It’s a waste of time.”

— President Harry Truman

Here we are, 70 years after the nuclear obliteration of Hiroshima and Nagasaki, and I’m wondering if we’ve come even one step closer to a moral reckoning with our status as the world’s only country to use atomic weapons to slaughter human beings. Will an American president ever offer a formal apology? Will our country ever regret the dropping of “Little Boy” and “Fat Man,” those two bombs that burned hotter than the sun? Will it absorb the way they instantly vaporized thousands of victims, incinerated tens of thousands more, and created unimaginably powerful shockwaves and firestorms that ravaged everything for miles beyond ground zero? Will it finally come to grips with the “black rain” that spread radiation and killed even more people — slowly and painfully — leading in the end to a death toll for the two cities conservatively estimated at more than 250,000?

 

Given the last seven decades of perpetual militarization and nuclear “modernization” in this country, the answer may seem like an obvious no. Still, as a historian, I’ve been trying to dig a little deeper into our lack of national contrition. As I have, an odd fragment of Americana kept coming to mind, a line from the popular 1970 tearjerker Love Story: “Love,” says the female lead when her boyfriend begins to apologize, “means never having to say you’re sorry.” It has to be one of the dumbest definitions ever to lodge in American memory, since real love often requires the strength to apologize and make amends.

 

It does, however, apply remarkably well to the way many Americans think about that broader form of love we call patriotism. With rare exceptions, like the 1988 congressional act that apologized to and compensated the Japanese-American victims of World War II internment, when it comes to the brute exercise of power, true patriotism has above all meant never having to say you’re sorry. The very politicians who criticize other countries for not owning up to their wrong-doing regularly insist that we should never apologize for anything. In 1988, for example, after the US Navy shot down an Iranian civilian airliner over the Persian Gulf killing all 290 passengers (including 66 children), Vice President George H.W. Bush, then running for president, proclaimed, “I will never apologize for the United States. Ever. I don’t care what the facts are.”

 

It turns out, however, that Bush’s version of American remorselessness isn’t quite enough. After all, Americans prefer to view their country as peace-loving, despite having been at war constantly since 1941. This means they need more than denials and non-apologies. They need persuasive stories and explanations (however full of distortions and omissions). The tale developed to justify the bombings that led to a world in which the threat of human extinction has been a daily reality may be the most successful legitimizing narrative in our history. Seventy years later, it’s still deeply embedded in public memory and school textbooks, despite an ever-growing pile of evidence that contradicts it. Perhaps it’s time, so many decades into the age of apocalyptic peril, to review the American apologia for nuclear weapons — the argument in their defense — that ensured we would never have to say we’re sorry.

The Hiroshima Apologia

On August 9, 1945, President Harry Truman delivered a radio address from the White House. “The world will note,” he said, “that the first atomic bomb was dropped on Hiroshima, a military base. That was because we wished in this first attack to avoid, insofar as possible, the killing of civilians.” He did not mention that a second atomic bomb had already been dropped on Nagasaki.

 

Truman understood, of course, that if Hiroshima was a “military base,” then so was Seattle; that the vast majority of its residents were civilians; and that perhaps 100,000 of them had already been killed. Indeed, he knew that Hiroshima was chosen not for its military significance but because it was one of only a handful of Japanese cities that had not already been firebombed and largely obliterated by American air power. US officials, in fact, were intent on using the first atomic bombs to create maximum terror and destruction. They also wanted to measure their new weapon’s power and so selected the “virgin targets” of Hiroshima and Nagasaki. In July 1945, Secretary of War Henry Stimson informed Truman of his fear that, given all the firebombing of Japanese cities, there might not be a target left on which the atomic bomb could “show its strength” to the fullest. According to Stimson’s diary, Truman “laughed and said he understood.”

The president soon dropped the “military base” justification. After all, despite Washington’s effort to censor the most graphic images of atomic annihilation coming out of Hiroshima, the world quickly grasped that the US had destroyed an entire city in a single blow with massive loss of life. So the president focused instead on an apologia that would work for at least the next seven decades. Its core arguments appeared in that same August 9th speech. “We have used [the atomic bomb] against those who attacked us without warning at Pearl Harbor,” he said, “against those who have starved and beaten and executed American prisoners of war, against those who have abandoned all pretense of obeying international laws of warfare. We have used it in order to shorten the agony of war, in order to save the lives of thousands and thousands of young Americans.”

 

By 1945, most Americans didn’t care that the civilians of Hiroshima and Nagasaki had not committed Japan’s war crimes. American wartime culture had for years drawn on a long history of “yellow peril” racism to paint the Japanese not just as inhuman, but as subhuman. As Truman put it in his diary, it was a country full of “savages” — “ruthless, merciless, and fanatic” people so loyal to the emperor that every man, woman, and child would fight to the bitter end. In these years, magazines routinely depicted the Japanese as monkeys, apes, insects, and vermin. Given such a foe, so went the prevailing view, there were no true “civilians” and nothing short of near extermination, or at least a powerful demonstration of America’s willingness to proceed down that path, could ever force their surrender. As Admiral William “Bull” Halsey said in a 1944 press conference, “The only good Jap is a Jap who’s been dead six months.”

 

In the years after World War II, the most virulent expressions of race hatred diminished, but not the widespread idea that the atomic bombs had been required to end the war, eliminating the need to invade the Japanese home islands where, it was confidently claimed, tooth-and-nail combat would cause enormous losses on both sides. The deadliest weapon in history, the one that opened the path to future Armageddon, had therefore saved lives. That was the stripped down mantra that provided the broadest and most enduring support for the introduction of nuclear warfare. By the time Truman, in retirement, published his memoir in 1955, he was ready to claim with some specificity that an invasion of Japan would have killed half-a-million Americans and at least as many Japanese.

 

Over the years, the ever-increasing number of lives those two A-bombs “saved” became a kind of sacred numerology. By 1991, for instance, President George HW Bush, praising Truman for his “tough, calculating decision,” claimed that those bombs had “spared millions of American lives.” By then, an atomic massacre had long been transformed into a mercy killing that prevented far greater suffering and slaughter.

 

Truman went to his grave insisting that he never had a single regret or a moment’s doubt about his decision. Certainly, in the key weeks leading up to August 6, 1945, the record offers no evidence that he gave serious consideration to any alternative.

“Revisionists” Were Present at the Creation

Twenty years ago, the Smithsonian’s National Air and Space Museum planned an ambitious exhibit to mark the 50th anniversary of the end of World War II. At its center was to be an extraordinary artifact — the fuselage of the Enola Gay, the B-29 Superfortress used to drop the atomic bomb on Hiroshima. But the curators and historical consultants wanted something more than yet another triumphal celebration of American military science and technology. Instead, they sought to assemble a thought-provoking portrayal of the bomb’s development, the debates about its use, and its long-term consequences. The museum sought to include some evidence challenging the persistent claim that it was dropped simply to end the war and “save lives.”

 

For starters, visitors would have learned that some of America’s best-known World War II military commanders opposed using atomic weaponry. In fact, six of the seven five-star generals and admirals of that time believed that there was no reason to use them, that the Japanese were already defeated, knew it, and were likely to surrender before any American invasion could be launched. Several, like Admiral William Leahy and General Dwight Eisenhower, also had moral objections to the weapon. Leahy considered the atomic bombing of Japan “barbarous” and a violation of “every Christian ethic I have ever heard of and all of the known laws of war.”

 

Truman did not seriously consult with military commanders who had objections to using the bomb.  He did, however, ask a panel of military experts to offer an estimate of how many Americans might be killed if the United States launched the two major invasions of the Japanese home islands scheduled for November 1, 1945 and March 1, 1946. Their figure: 40,000 — far below the half-million he would cite after the war. Even this estimate was based on the dubious assumption that Japan could continue to feed, fuel, and arm its troops with the US in almost complete control of the seas and skies.

The Smithsonian also planned to inform its visitors that some key presidential advisers had urged Truman to drop his demand for “unconditional surrender” and allow Japan to keep the emperor on his throne, an alteration in peace terms that might have led to an almost immediate surrender. Truman rejected that advice, only to grant the same concession after the nuclear attacks.

 

Keep in mind, however, that part of Truman’s motivation for dropping those bombs involved not the defeated Japanese, but the ascending Soviet Union. With the USSR pledged to enter the war against Japan on August 8, 1945 (which it did), Truman worried that even briefly prolonging hostilities might allow the Soviets to claim a greater stake in East Asia. He and Secretary of State James Byrnes believed that a graphic demonstration of the power of the new bomb, then only in the possession of the United States, might also make that Communist power more “manageable” in Europe. The Smithsonian exhibit would have suggested that Cold War planning and posturing began in the concluding moments of World War II and that one legacy of Hiroshima would be the massive nuclear arms race of the decades to come.

In addition to displaying American artifacts like the Enola Gay, Smithsonian curators wanted to show some heartrending objects from the nuclear destruction of Hiroshima, including a schoolgirl’s burnt lunchbox, a watch dial frozen at the instant of the bomb’s explosion, a fused rosary, and photographs of the dead and dying. It would have been hard to look at these items beside that plane’s giant fuselage without feeling some sympathy for the victims of the blast.

 

None of this happened. The exhibit was canceled after a storm of protest. When the Air Force Association leaked a copy of the initial script to the media, critics denounced the Smithsonian for its “politically correct” and “anti-American” “revision” of history. The exhibit, they claimed, would be an insult to American veterans and fundamentally unpatriotic. Though conservatives led the charge, the Senate unanimously passed a resolution condemning the Smithsonian for being “revisionist and offensive” that included a tidy rehearsal of the official apologia: “The role of the Enola Gay… was momentous in helping to bring World War II to a merciful end, which resulted in saving the lives of Americans and Japanese.”

 

Merciful? Consider just this: the number of civilians killed at Hiroshima and Nagasaki alone was more than twice the number of American troops killed during the entire Pacific war.

In the end, the Smithsonian displayed little but the Enola Gay itself, a gleaming relic of American victory in the “Good War.”